The Cabinet of Dr. Caligari 1920

This is the first film in the ‘Worlds Apart’ film programme, it is a German expressionist film directed by Robert Wiene. This film (along with Nosferatu 1922) is considered one of the first horror movies. The plot revolves around a man named Alan who tells the story of a travelling magician named Dr Caligari. Dr Caligari travels around with a somnambulist, Cesare who can predict the future. Caligari hypnotises the creature to commit a series of murders.

The most interesting thing about this movie are the visuals and set design. It is very whimsical and gothic in tone, there is not a strait horizontal or vertical line in the whole movie, all the windows and doors seem slightly askew (in fact everything is slightly askew).  I also like the way the shadows are painted it makes the sets extremely striking. It makes the whole movie look like a surrealist panting. This movie was a huge influence on director Tim Burton whose films have a very similar visual style to this movie.

http://www.afilmcanon.com/journal/2007/2/19/wiene-das-cabinet-des-dr-caligari-the-cabinet-of-dr-caligari.html

If you look at Tim Burtons Penguin character from Batman Returns compared to the Dr. Caligari character you can see a definite resemblance. This shows how heavily this movie has influenced Tim Burton. You can also compare almost any Tim Burton movie to this movie and see many resemblances.

http://fliperama-underground.blogspot.com/2009/01/o-gabinete-do-dr-caligari.html

http://www.batmanmovieonline.com/gallery.php?showpicture=2601

See any resemblance?

There is also an interesting twist at the end of this movie that I was genuinely not expecting from such an old movie. It basically doses a complete 180 and it turns out our assumptions about all of the characters are completely wrong. This reminded me of much more recent movies like Shutter Island (2010) Dir, Martin Scorsese.

I think the old fashion jittery film also adds to the style and personality on the film. The music is also important because it helps set the mood, which must be hard in a silent movie.

League of Extraordinary Gentlemen Movie Nautilus

http://www.modelshipmaster.com/products/submarines/nautilus.htm

This is the design for the Nautilus from The League of Extraordinary Gentlemen movie. Unfortunately I find it just as disappointing as the movie itself. To me it basically looks like a generic WWII submarine with a few indian stye patterns tacked on as an after thought. 

20'000 Leagues Under the Sea

My folder was number 7 so I will be visualizing the classic story by Jules Vern, 20'000 Leagues Under the Sea. I am very happy with the book because I have already read it and I like it a lot. I was wondering if we had to stick strictly to the scenes we were given or could we use another part of the book if we wanted.

I have collected some images of my favorite depiction of Captain Nemo's Nautilus from The League of Extraordinary Gentlemen a comic book series/graphic novel written by Alan Moore and drawn by Kevin O'Neil. The inspiration for this version of the Nautilus came from Jules Vern's The Mysterious Island (the sequel to 20'000 Leagues Under the Sea). At the end of The Mysterious Island Nemo revels himself to be a former Indian prince, Prince Dakar. Moore and O'Neil have incorporated Indian Design into the Nautilus.

This is the first time we see the nautilus in the League of Extraordinary Gentlemen: Volume I. It resembles a squid merged with a wale. I like the amazing amount of detail Kevin O'Neil goes into.

 
This is a diagram of the interior of the Nautilus from The League of Extraordinary Gentlemen: Black Dossier.

This image is also from The League of Extraordinary Gentlemen: Black Dossier it shows an older version of the Nautilus. This older Nautilus would be the one from 20'000 Leagues Under the Sea. The idea is that Nemo rebuilt it after it was destroyed in The Mysterious Island.

This image is from The League of Extraordinary Gentlemen, Century: 1910. This version of the Nautilus is Captained by Nemo's Daughter Pirate Jenny from The Three Penny Opera. It is much darker and more intimidating.

Final Portrait

Unfortunately I think I may have to scrap the poster idea because I am worried about not finishing on time. I still have the Photoshop tutorials to do.

Life Drawing

Life drawing from last session and some that I forgot to post from the session before that.

The Elephant Man (1980)

“I am not an animal, I am a man!!”

John Merrick

Directed by David Lynch

This movie is essentially a biopic that tells the story of the life of Joseph Merrick (known as John Merrick in this film) portrayed by John Hurt. John Merrick is a severely deformed man who has been given the nickname The Elephant Man.  He is treated very harshly by his master as an attraction in a travelling curiosity show. Eventually he is taken in by a doctor named Frederick Treves (Antony Hopkins) who wants to study his deformities and help him live a more comfortable life.

I was looking forward to seeing this movie because of its obvious association to my project idea. The first thing I noticed about this movie was the grim atmosphere. The fantastic use of black and white really adds to this, it is similar visual style to Cat People (1942). I also really like the subtle music score, which to me seems to resemble Victorian industrial machinery. In fact it seemed to me that there is a lot of industrial sounds and imagery in this film. I don’t know if it’s significant, maybe some kind of subtext about the industrial revolution, just a random thought. It’s a very emotional film with few upbeat moments so “women & nervous persons” may find it hard to watch. Some people have said the movie tries too hard to manipulate you and make you cry. I disagree I think the whole point of movies are to manipulate you emotionally. 

John Hurts performance as John Merrick is fantastic, the way he manages to portray such a sympathetic character through such a heavy makeup job is amazing. Antony Hopkins is also great as Frederick Treves, who is a very conflicted character. He’s not sure if he is genuinely trying to help Merrick or just using him to gain a reputation.  I also think all of the supporting cast are really good, I like the way the nurses gradually warm up to Merrick when he is living in the hospital. I also particularly liked the dastardly caretaker who harasses poor John Merrick by allowing members of the public to come see him for a price. 

   

The movie doses take a few liberties in terms of historical accuracy, for example I found this article “Contrary to film accounts, Merrick was well treated as an exhibit and well paid for his time. While on exhibit on Mile End Road in London, now the London Sari Centre, his path first crossed with Dr. Fredrick Treves. Treves, who would later chronicle and befriend Merrick, gave him one of his business cards after Merrick politely declined an examination. When human curiosity exhibits were outlawed in the United Kingdome in 1886, Merrick travelled to Belgium for work. There he was indeed mistreated and ultimatly robbed and abandoned by his promoter. He also contracted a severe bronchial infection further complicated by his deformities”, you can see the rest of the article at http://thehumanmarvels.com/?p=145. The historical inaccuracies mostly didn’t hinder my enjoyment of the film. The only part I found myself thinking “I’m sure that never happened” was when the other deformed people rescued Merrick, I found it very Hollywoodish.

Overall I really enjoyed this movie. 

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